![]() ![]() With that saturation, a cottage industry has sprung up that is developing similarly simple, inexpensive apps (many of them even free) created specifically for the production environment. "Helios has moved us a long way in terms of how we plan our locations with sun calculations, and where we want to be and when," Loncraine adds.įormed three years ago by three UK natives who recognized that an increasing number of production staffers were beginning to carry around iPhones, Chemical Wedding has carved out a small but growing niche, supplying relatively simple-to-use, specialized mobile apps for filmmakers using Apple's Unix-based operating systems.Ĭhemical Wedding co-founder Nic Sadler estimates that around 80 percent of production crew members and talent use the iPhone. While scouting locations for Final Destination 5 over the summer, Quale used Helios' sun calculator to determine if there would still be enough sunlight to film a Vancouver bridge demolition scene four months in the future, when it would be darker and colder. It's designed to let a range of production pros, from 1st ADs to DPs, easily predict and share sun exposure info in the field without fumbling with tables and graphs. We use it a lot as an off-the-cuff tool during location scouting."īoth Quale and Loncraine use another Chemical Wedding app called Helios, which contains an internal database of more than 30,000 locations around the world, and provides each location's longitude and latitude, and time zone and daylight saving information. #Movieslate app wont send emails software#While the limited display capabilities of the iPhone and iPad curtail how close the software can come to simulating the actual specified lens view, Loncraine says the software "does a very good job of approximation. "The software has all the prime lenses I use programmed into it." "Now, I can just walk around with my iPhone. "I used to use my Canon SLR to do this, but it's a bulky thing to have to carry around," says Quale. ![]() A note canīe included that would read, essentially, "We'll put the camera here and shoot it at this angle with this lens." Not only can zoom dynamics be simulated with this app ($30 at Apple's iTunes store), but the director can get screen grabs-replete with shot data, including GPS coordinates-that can be saved and shared with, say, the DP. "We're seeing only the tip of the iceberg in terms of what can be done with computer interfaces on the set floor," says Loncraine.įor example, Artemis, a director's viewfinder app from fledgling Los Angeles developer Chemical Wedding, allows a director to see on their iPhone or iPad precisely what view they'll get from a specific lens (based on an extensive lens database) from any given shooting angle. #Movieslate app wont send emails tv#In fact, with the enormous number of personnel on film, TV or commercial shoots now using the iPhone, and the iPad presence growing, mobile software applications (aka "apps") that target the filmmaker market are rapidly expanding. In fact, I don't carry around binders of script notes anymore. "I tell my crew, if it doesn't come to me digitally, it doesn't exist," concurs director Steven Quale, who recently began shooting Final Destination 5. "With all the scripts, notes, call sheets and other information being passed around on a set, it might be cheaper just to give everyone an iPhone or iPad," he says. In fact, the veteran British director says that if he had his way, his set would be entirely paperless, with all documents distributed via mobile devices. (top to bottom) Artemis, Helios, MovieSlate,ĭigital options to help make better decisions."I don't print out scripts anymore, I read them off my iPad," insists Richard Loncraine. ![]()
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